An Evaluation of the Work of Jan Svankmajer :: essays research papers

An Evaluation of the manoeuvre of Jan SvankmajerJan Svankmajer is an animator like no other that I know of. Surrealist in dash, his artistic utilisation encompasses a broad range of spiritualists- tear, sculpture, painting, graphic design, prose and poetry. His filmic puzzle out often involves a combination of animation, puppetry and live action- a challenging style for any filmmaker to use effectively. Svankmajer films are by trademark sable and macabre tales, told not for the sake of aesthetic or technique, but eer to serve a very personal purpose, which I will rag about shortly.In this essay, I will deal mainly with the work that Svankmajer created as an animator. To put it in context, however, I will commencement exercise crumble a rough overview of his background and the work for which he is best known.Svankmajer was born(p) in Czechoslovakia in 1934. His parents were both artistically inclined his father was a window dresser while his mother was a dressmaker. After examine puppet theatre for four age in Prague, Svankmajer began his career as a director, designer and puppeteer at the State Puppet Theatre in Liberec. During the Early 1960s he collaborated with several different theatre companies in Prague to stage a variety of plays.In 1964 his interests turned to filmmaking. In this medium he felt that to a greater extent would be possible technically, and that his work would allude a wider audience. After creating various award-winning short films like The ultimately Trick, his work underwent a decisive transition from Mannerism to Surrealism in 1968. As a surrealist Svankmajer would create many highly acclaimed films involving animation and live action.Svankmajers work became surrounded by policy-making controversy with the making of the film Antonios Diary (1972). The film was not intended to have political meaning, but the Czech authorities banned him from making films for seven years simply because it contained unauthorised footage de picting everyday Czech life. Dimensions of Dialogue (1982) became his known short, and won several international awards. Like Antonios Diary, however, it was banned in Czechoslovakia, and was also shown to the ideology commission of the Central Committee of the Czechoslovak Communist party as an example of the kind of film that should not be made. Alice (1985-87), base on the book by Lewis Carol, was Svankmajers first feature film, and his first to reach an American audience. Since then he has made two more feature-length films Faust (1993) and Conspirators of Pleasure (1996).